Mickey Mouse Clubhouse | |
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Genre | Children's television series Adventure Comedy Fantasy |
Created by | Bobs Gannaway |
Based on | Mickey Mouse by Walt Disney and Ub Iwerks |
Developed by | Bobs Gannaway |
Directed by | Rob LaDuca Sherie Pollack Howy Parkins Victor Cook Donovan Cook Broni Likomanov Phil Weinstein |
Voices of | Wayne Allwine (2006-09) Bret Iwan (2009-16) Tony Anselmo Russi Taylor Tress MacNeille Bill Farmer Will Ryan April Winchell Jim Cummings Dee Bradley Baker Frank Welker Rob Paulsen Corey Burton |
Opening theme | "Mickey Mouse Clubhouse Theme Song" sung by They Might Be Giants |
Ending theme | "Hot Dog!" sung by They Might Be Giants |
Composer(s) | Mike Himelstein Michael Turner |
Country of origin | United States |
Original language(s) | English |
No. of seasons | 4 |
No. of episodes | 125 (list of episodes) |
Production | |
Executive producer(s) | Bobs Gannaway (seasons 1-4) Rob LaDuca (seasons 2-4) |
Running time | 30 minutes |
Production company(s) | Disney Television Animation (as Walt Disney Television Animation from 2006 to 2012) |
Distributor | Buena Vista Television (2006–07) Disney–ABC Domestic Television (2007–16) |
Release | |
Original network |
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Picture format | HDTV 1080p/720p SD: 480p Produced in HD 16:9, cropped to 4:3 in most countries. |
Audio format | Dolby Digital 5.1 |
Original release | May 5, 2006 – November 6, 2016 |
Chronology | |
Related shows | The Mickey Mouse Club Mickey Mouse: Mixed-Up Adventures |
External links | |
Official website |
Mickey Mouse Clubhouse is an American interactive computer-animated children's television series which aired from May 5, 2006 to November 6, 2016. The series is Disney Television Animation's first computer-animated series aimed at preschoolers. Bobs Gannaway, the Disney veteran who created it, is also responsible for other preschool shows, such as Jake and the Never Land Pirates and for Disneytoon Studios films including Secret of the Wings, The Pirate Fairy and Planes: Fire & Rescue. The final episode aired on November 6, 2016.
Since its cancellation, it airs reruns on Disney Junior.
Mickey, Minnie, Pluto, Goofy, Daisy, and Donald interact with the viewer to stimulate problem solving during each episode's story. Disney says that each episode has the characters help children "solve a specific age-appropriate problem utilizing basic math skills, such as identifying shapes and counting through ten". The series uses "Disney Junior's 'whole child' curriculum of cognitive, social and creative learning opportunities".
Walt. One lesson Disney learned from the experience was to thereafter always make sure that he owned all rights to the characters produced by his company.[citation needed]
In 1928, Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. A male frog was also rejected. It would later show up in Iwerks' own Flip the Frog series.[5] Walt Disney got the inspiration for Mickey Mouse from a tame mouse at his desk at Laugh-O-Gram Studio in Kansas City, Missouri.[6] In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney.[5] "Mortimer Mouse" had been Disney's original name for the character before his wife, Lillian, convinced him to change it, and ultimately Mickey Mouse came to be.[7][8] The actor Mickey Rooney claimed that, during his Mickey McGuire days, he met cartoonist Walt Disney at the Warner Brothers studio, and that Disney was inspired to name Mickey Mouse after him.[9] This claim, however, has been debunked by Disney historian Jim Korkis, since at the time of Mickey Mouse's development, Disney Studios had been located on Hyperion Avenue for several years, and Walt Disney never kept an office or other working space at Warner Brothers, having no professional relationship with Warner Brothers, as the Alice Comedies and Oswald cartoons were distributed by Universal.
Disney had Ub Iwerks secretly begin animating a new cartoon while still under contract with Universal. The cartoon was co-directed by Walt Disney and Ub Iwerks. Iwerks was the main animator for the short and reportedly spent six weeks working on it. In fact, Iwerks was the main animator for every Disney short released in 1928 and 1929. Hugh Harman and Rudolf Ising also assisted Disney during those years. They had already signed their contracts with Charles Mintz, but he was still in the process of forming his new studio and so for the time being they were still employed by Disney. This short would be the last they animated under this somewhat awkward situation.
Mickey was first seen in a test screening of the cartoon short Plane Crazy, on May 15, 1928, but it failed to impress the audience and, to add insult to injury, Walt could not find a distributor. Though understandably disappointed, Walt went on to produce a second Mickey short, The Gallopin' Gaucho, which was also not released for lack of a distributor.
Steamboat Willie was first released on November 18, 1928, in New York. It was co-directed by Walt Disney and Ub Iwerks. Iwerks again served as the head animator, assisted by Johnny Cannon, Les Clark, Wilfred Jackson and Dick Lundy. This short was intended as a parody of Buster Keaton's Steamboat Bill, Jr., first released on May 12 of the same year. Although it was the third Mickey cartoon produced, it was the first to find a distributor, and thus is considered by The Disney Company as Mickey's debut. Willie featured changes to Mickey's appearance (in particular, simplifying his eyes to large dots) that established his look for later cartoons and in numerous Walt Disney films.
The cartoon was not the first cartoon to feature a soundtrack connected to the action. Fleischer Studios, headed by brothers Dave and Max Fleischer, had already released a number of sound cartoons using the DeForest system in the mid-1920s. However, these cartoons did not keep the sound synchronized throughout the film. For Willie, Disney had the sound recorded with a click track that kept the musicians on the beat. This precise timing is apparent during the "Turkey in the Straw" sequence when Mickey's actions exactly match the accompanying instruments. Animation historians have long debated who had served as the composer for the film's original music. This role has been variously attributed to Wilfred Jackson, Carl Stalling and Bert Lewis, but identification remains uncertain. Walt Disney himself was voice actor for both Mickey and Minnie and would remain the source of Mickey's voice through 1946 for theatrical cartoons. Jimmy MacDonald took over the role in 1946, but Walt provided Mickey's voice again from 1955 to 1959 for The Mickey Mouse Club television series on ABC.
Audiences at the time of Steamboat Willie's release were reportedly impressed by the use of sound for comedic purposes. Sound films or "talkies" were still considered innovative. The first feature-length movie with dialogue sequences, The Jazz Singer starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed. Most other cartoon studios were still producing silent products and so we're unable to effectively act as competition to Disney. As a result, Mickey would soon become the most prominent animated character of the time. Walt Disney
soon worked on adding sound to both Plane Crazy and The Gallopin' Gaucho (which had originally been silent releases) and their new release added to Mickey's success and popularity. A fourth Mickey short, The Barn Dance, was also put into production; however, Mickey does not actually speak until The Karnival Kid in 1929 when his first spoken words were "Hot dogs, Hot dogs!" After Steamboat Willie was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result.
Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen.
In Mickey's early films he was often characterized not as a hero, but as an ineffective young suitor to Minnie Mouse. The Barn Dance (March 14, 1929) is the first time in which Mickey is turned down by Minnie in favor of Pete.
The Opry House (March 28, 1929) was the first time in which Mickey wore his white gloves. Mickey wears them in almost all of his subsequent appearances and many other characters followed suit. The three lines on the back of Mickey's gloves represent darts in the gloves' fabric extending from between the digits of the hand, typical of glove design of the era.
When the Cat's Away (April 18, 1929), essentially a remake of the Alice Comedy, "Alice Rattled by Rats", was an unusual appearance for Mickey. Although Mickey and Minnie still maintained their anthropomorphic characteristics, they were depicted as the size of regular mice and living with a community of many other mice as pests in a home. Mickey and Minnie would later appear the size of regular humans in their own setting. In appearances with real humans, Mickey has been shown to be about two to three feet high.[16] The next Mickey short was also unusual.
The Barnyard Battle (April 25, 1929) was the only film to depict Mickey as a soldier and also the first to place him in combat. The Karnival Kid (1929) was the first time Mickey spoke. Before this, he had only whistled, laughed, and grunted. His first words were "Hot dogs! Hot dogs!" said while trying to sell hot dogs at a carnival. Mickey's Follies (1929) introduced the song "Minnie's Yoo-Hoo" which would become the theme song for Mickey Mouse films for the next several years. The "Minnie's Yoo-Hoo" song sequence was also later reused with different background animation as it's own special short shown only at the commencement of 1930s theater-based Mickey Mouse Clubs.
Mickey's dog Pluto first appeared as Mickey's pet in The Moose Hunt (1931) after previously appearing as Minnie's dog "Rover" in The Picnic (1930).